Showing posts with label hot seconds. Show all posts
Showing posts with label hot seconds. Show all posts

Sunday, October 10, 2010

Hot Seconds Releases Long Awaited Video


Extra! Extra! Read all about it! Hot Seconds unleashes their five minute mini-movie. Gangsters, coppers, brothel's, gambling and trippiness ... oh my!

Sometime last year, I want to say the early part of last year, I heard these words, 'we're going to make another video' or something along those lines. Cool I thought. I like Hot Seconds and was curious to see what they would put together. The words trench coats and fedoras passed through my ears ... so did green screen and bowling ally. June of that year came around, director Marcel Simoneau showed me some bits and pieces of the video on his cell phone. Interesting, I thought. Jump ahead to earlier this year and I hear the words, 'we're almost finished with the video' or something along those lines. There were chuckles about the mustache that's now apparently infamous and has a name, though not credited for its work on guitarist Eran Westwood's upper lip. And then I heard the words it's finished!

Witness for yourself the trench coats, the fedora's, the brothel and some trippy green screen action ... a reaction to some bad moonshine is my nearest guess. Check out "Pieces of You" below. Watch, enjoy, ponder and watch again.

Directed & Edited by Marcel Simoneau

Featuring Hot Seconds:
James Love
Eran Westwood
Ian Hudgins
Marcel Simoneau

Also featuring:
May Oishi-Simoneau
Alexis Neophitydes
Catilin Pexa
Marc Bonan
Joe Lazenby
Simon Fernandez
Harold Simoneau
Andrew Gauthier
Kweighbaye Kotee
Owen Rapaport
Bob Troia

Dancers:
Kathryn Bringle
Courtney Cook
Beth Edwards
Hsiao-jou Tang
Lindsay Fisher
Sarah Bumgarner
Kathryn Logan

Saturday, July 17, 2010

Hot Seconds Burned The Mutha Down …


Hot Seconds: July 16 @ Pianos, New York, N
Y


I hadn’t actually planned on writing about this show. I just went to have a good time and hear some good music. Friday night, Hot Seconds, James Love (vocals/guitar), Eran Westwood (guitar/vocals), Marcel Simoneau (bass) and Ian Hudgins (drums/vocals) took to the stage at Pianos … their third show this month. They launched into their set and proceeded to set things on fire and burn the place down … okay, not literally. I knew then I’d be saying something about the show.

They haven’t played with that kind of fire since January of last year. That show I said they were on the verge of being dangerous and were attempting to take over the world. They had come close to matching that intensity and fire several months later. But, it wasn’t until Friday night that they matched that fire and perhaps even surpassed it.

There was a get down to business, take no prisoners vibe and at times flashes of urgency. But, at the same time there was an attitude of balls out fun. The audience didn’t need encouraging; it was clear we were along for the ride from jump and the band was feeding off it like never before.

Everyone seemed relaxed and enjoying themselves. Okay, perhaps some of that relaxed vibe had to do with Love turning twenty-five for the tenth year and they were enjoying all that goes with such milestone moments. But, there was just a terrific energy that made the fire burn brightly.

There were some bits that sounded different … slight changes? Perhaps it was just me heading towards being sideways? The harmonica bit in “When I Go” has changed … actually that’s been sounding different since they’ve been back out rockin’. “Helicopter” seemed to rock harder. “Apathy” sounded more full-bodied and robust. There were other bits that sounded different but those are the ones that stick out without listening to the playback.

Love was relaxed. He really is stepping up his rock star game … a cheeky charmer that one. I’m still getting used to him not playing guitar during “Pieces of You.” For some reason, even though I’ve seen this arrangement of the song a few times, it keeps throwing me. It throws me but I like it, it seems to have more of a harder edge to it now.

Westwood’s playing was hot and tight. He was loose and smiling and I like the smiles … but, I didn’t even get my death glare. What’s up with that? I shove my camera in your face; you glare at me … it’s our thing, it works for us.

Hudgins was like a friggin’ mad man … completely and totally animal, insanely animal. I was watching him play and for a while now I’ve been trying to put my finger on what it is that made me a fan of a drummer, this drummer … other than the fact that he’s good. I think I’ve figured it out. He plays with this magnificent lack of inhibition that’s fun to watch and listen to.

Simoneau made my tailbone vibrate. Need I say more? Probably so but if you’ve ever experienced that feeling then you don’t need more explanation. Anytime your bones vibrate at a rock concert, it’s a good thing.

I certainly had fun. Hoist the flag and consider Pianos conquered. In the end they walked off the figurative blackened embers of the Pianos stage knowing it was theirs. Holy hell boys, welcome back.

Check out the video of "Clam Man" from the show below. I know, I know, after talking about their fire, I give you the most mellow song of the night. And yes, the questionable camera work is back ... it's my thing!
More photos HERE.


“Clam Man”


Set List
  • Helicopter
  • Can't Stop
  • Pieces Of You
  • Excuse Me
  • Apathy
  • Clam Man
  • Happy Birthday/Die Like A Dog
  • Gone To Ground
  • When I Go
  • Went To India


Saturday, July 3, 2010

Hot Seconds: Cool, Beastly, Animalistic & Rock Star


Hot Seconds: July 1 @ Mercury Lounge,
New York, NY


After the near year long show drought, those darling rascals known as Hot Seconds, hit the stage for the second time in less than a month this past Thursday night. This time, it was their return to LES venue Mercury Lounge.

The band, James Love (vocals/guitar), Eran Westwood (guitar/vocals), Marcel Simoneau (bass) and Ian Hudgins (drums/vocals) made their way to the stage and delighted those in attendance with a ten song set that included the three new songs they rolled out last month. I'm tellin' you, I'm still in lust with "Die Like A Dog." This has made my list of need to hear Hot Seconds songs. They're working on a new record, hence the new songs ... yeah, I'm waiting.

If you were at the show last month and or have been keeping up with my little corner of the internet, then you know that Simoneau has taken over bass duties. He seemed more than a little anxious last time, understandably, especially the first few songs of the night. But, Thursday, it looked like he had lost most of his nervous energy and is over there slipping into Mr. Cool mode. His rhythmic partner-in-crime is a heavy drummer and Simoneau holds his own quite well, not getting overpowered. Hmm, ya know, this has led me to wonder if Simoneau has past bass experience or if he just takes to it naturally. I'll have to remind myself to ask that next time around.

So, my rock star has come back y'all. Oh he was singing and playing and dancing ... oh yeah, he's got some moves. Love put down his guitar for "Pieces of You" ... think that's the one. Hey, I didn't take notes. What? Y'all think I'm professional or something?! And, he also took it off mid-song during "Helicopter" but let us not talk about that as I got the full memory card message just as he took his guitar off. Now that they've shaken off the bit of stage rust that we saw at the last show, Love is back to seeming more relaxed and began testing his rock star wings out again.

I camped out in Westwood World ... stage right for those uninitiated in quirky speak. It's been awhile since I've visited that side. It's too dark over there. With all of the mood lighting over on stage right, I half expected Westwood to start playing bow chicka wah wah. Really, it's dark over there and strange things happen in the dark, they say. Tall, dark and laid back, took to the stage, put on his intense stony face and proceeded to roar like the beast he has become ... all hail. I wanna know where this guy goes and what he does that has him coming back each show with these guitar deity happenings that manifest themselves on-stage. I've mentioned previously that the harder sounds suit him well. But, let's not neglect those moments when he tosses in a some jangly funk or a little reggae. Yeah, he goes there too.

Of course being camped out in the land of darkness gives you a perfect line of vision for watching the drummer get wicked. Y'all know I have mad love for the skills of Hudgins. Last time I said he seemed a little conservative, which was cool; I'm down with conservative. But, Thursday night he was back to being animal. I like animal, yeah, I do. He was heavy, intense and wild. The kind of wild that made you feel at any moment he was going to go over the edge and take you with him. He literally makes me shiver. Hey, we're talking about his insane drumming ... don't want y'all thinking I'm over here being dirty old lady'ish; I'm a respectable woman people. Anyway, that's the kind of description I normally reserve for guitar playing.

I always have fun at Hot Seconds shows as if you couldn't tell. I look forward to the next one. Check out the video below. Yeah, the camera work is questionable. There was a reason for it and it seemed like a good one ... at the time; I'm just sayin' y'all.

More photos on the QNYC Flickr page HERE.

"Gone To Ground"


"When I Go"


Set List
  • Can't Stop
  • Pieces Of You
  • Excuse me
  • Apathy
  • Clam Man
  • Die Like A Dog
  • Gone To Ground
  • When I Go
  • Went To India
  • Helicopter
www.hotseconds.net

Sunday, June 20, 2010

Hot Weather & Hot Music: Hot Seconds To Play Mercury Lounge 7/1


Hot Seconds return to the Mercury Lounge stage on Thursday, July 1. So, head up, down, over or across to the LES and rock out with the boys. They've got some seriously heavy new songs that you're going to wanna check out or hear again as may be the case. Y'all know that's just days shy of Independence Day; start your partying a little early. Swing by and show 'em some love.



www.hotseconds.net

Sunday, June 13, 2010

Somewhat Slightly (Il)licit Hot Seconds Video From BritFest


Last week, I went over to Ace of Clubs to partake in the BritFest merriment. You read all about that already, right? So you know Hot Seconds, who headlined the evening, rolled out three new songs. Well, your resident quirky chick might have kinda sorta, accidentally on purpose, hit the record button on the camera and recorded one of those new songs. Shhh, don't tell ... they know some people, who know some people, who might come 'round and rough me up! Anyway, check out my favorite of the three new ones, "Die Like A Dog," below. Is that new record almost finished boys? This song needs, yes, needs to be on my 'Pod.




www.hotseconds.net

Tuesday, June 8, 2010

Hot Seconds Set A Sweltering Night On Fire


Hot Seconds: June 5 @ Ace Of Clubs, New York, NY


It's June, it's hot and as such, I'm cranky. What better way to make a hot, cranky chick less cranky? Give her some good music! Saturday night I made my way down to Ace of Clubs, for the 1st Annual BritFest NYC, for a night of merriment. Headlining the evenings events were none other than those charming gents known as Hot Seconds.

Yes folks, they're baaack! It's been nearly a year since I last saw the boys play and I missed them. In that time, they've trimmed down to a lean, mean, four piece fighting machine. The band, James Love (vocals/guitar), Eran Westwood (guitar/vocals), Marcel Simoneau (bass) and Ian Hudgins (drums/vocals) took the stage and blazed through a ten song set.

I was curious to hear what they would sound like in this configuration. Were they going to have a new sound? For the most part, they're still the same Hot Seconds we know and love. Now, they're just heavier and funkier. They kicked off the show with the first of three new songs, "Helicopter." When I took a gander at the set list prior to the show I wasn't sure about starting the show with a new song but, it proved to be a good choice. Guitar fangirl alert, there are some killer licks in this one. The riff is beyond catchy. Like the previous new songs they've rolled out since releasing their debut record, these are lyrically and musically darker, grittier. The new song highlight for me was, "Die Like A Dog." The rhythm on that one is just all kinds of dirty. The third new song, "Apathy," was good as well. I need to hear that one again though.

Missing from the set was a song that has become a favorite of mine, "Pink Caesar" ... logistics? On the plus side, they played "Excuse Me," a song I haven't heard live since October 2008! The five songs they played from their debut have even taken on a bit of a heavier sound. Seeing as I'm a fan of the harder rock sounds, this was something I didn't mind at all.

Simoneau looked to be a bit nervous at the beginning of the set but after a couple of songs he seemed to relax in his role as bassist. I look forward to seeing him a few shows down the line when he completely lets go. It was nice seeing him up front rockin' out, for more than one song, and not hidden behind the keyboards. Love looked a little tired though it didn't show too much in his vocals or playing. He seemed edgier all around. I like edgy. The bands harder sound suited Westwood well. When I first saw the band, he was a much more reserved player. Now, he's turning into quite the beast. I also like beasts. For some reason it felt like Hudgins was holding back, being a little conservative. It wasn't until "When I Go" that I felt he totally let go and made me remember exactly why it was him that made me a drum fan ... okay, an Ian fan, as we've already determined the whole drum thing doesn't really carry over to other drummers.

It was overall a good show and I had fun. I'm glad to see them back and rockin'. They're at work on their second record and hearing these new songs live has whetted my appetite for what's to come.

www.hotseconds.net

Monday, June 7, 2010

A Night Of Music & Comedy At BritFest


BritFest NYC: LIVE! (Music & Comedy): June 5
@ Ace Of Clubs, New York, NY


In celebration of British culture, Big Apple Brits are hosting the 1st Annual BritFest NYC which runs from June 4 - June 10. This past Saturday, they hosted a concert at Ace of Clubs. I like Brits, I like British stuff and I like music. It was a match made in heaven. What better way to spend a hot Saturday night then rocking out in celebration of British culture?

Comedian Stephen Frost was the evenings MC. For those of you unfamiliar, he's from Whose Line Is It Anyway? and a number of other top notch programs. He milled around the room, introduced the bands and offered a bit of wit to keep us entertained. I might have a wee crush on him but that's a story for another time.


Kicking off the night of music was Gaz Ellis, a charming guy with an acoustic guitar and a pleasant voice. If like your folk of the English variety, he's certainly one to check out. Have a look at the video at the bottom of the post for a taste of what he's about.


The second act on the bill was Dave Rave. I've gotta admit, I've never heard of Rave. But, he brought out a cadre of loyal fans who sang and dance along to every song. He and his band put on a high energy set of power pop that ended with Rave bringing fans on the stage to dance.


The evening ended with Hot Seconds taking the stage and rocking out one hell of a set. More about their set HERE.


I had a great time. One thing's for sure, you lot sure know how to throw a party.



www.myspace.com/gazellis
www.myspace.com/daverave
www.myspace.com/hotseconds

Thursday, June 3, 2010

Hot Seconds To Play BritFest 2010, Saturday, June 5


After nearly a year, those adorable lads known as Hot Seconds will be gracing the stage this Saturday, June 5 at NYC venue Ace Of Clubs as part of the 1st Annual BritFest. It's $10 bucks ... live music and comedy. What more could you ask for? You should go!


www.hotseconds.net
www.facebook.com/hotseconds

Tuesday, July 28, 2009

Video: Hot Seconds - When I Go (live)

The multi-talented Marcel Simoneau from Hot Seconds has put together a live video of their song "When I Go." I've been raving about this song since they debuted it in January. The footage was shot at Union Pool in Brooklyn on June 6, 2009. See, this is the kind of good Hot Secs you'll get if you go see them. Aside from that, there's something a little quirky about it. ;-) Check it out!



Be a social stalker ...
www.hotseconds.net
www.twitter.com/hotseconds
www.myspace.com/hotseconds
www.facebook.com/pages/Hot-Seconds/6225253266

Thursday, July 16, 2009

Lights, Cameras, Birthdays & Hot Seconds

Hot Seconds: July 14 @ Southpaw, Brooklyn, NY


I decided it was time to relax a little. What better way to go about it then by taking in the fine musical stylings of the deliciously fun Hot Seconds? So, I hopped on the train and headed over to Park Slope (that's in Brooklyn for the non-New Yorker's and neighborhood challenged New Yorker's) to visit the rather spacious Southpaw.

The band James Love (vocals/guitar/tambourine), Eran Westwood (guitar/vocals), Marcel Simoneau (keyboards/guitar/megaphone), Bob Toria (bass), Ian Hudgins (drums/vocals) were once again in the zone. They did an eleven song, fifty minute set kicking it off with "Can't Stop" and took it home with "When I Go." In between these two songs, the favorites were played as well as some filming for a Brazilian television program. Brush up on your Portuguese boys, y'all are truly international now!

As you know, or you would if you've been reading previous postings or were at the shows, they've been rolling out new songs here and there. Last month they rolled out "Push To Pound," which they played again at this show. If I'm not mistaken, and I could be, it's been known to happen; it seems Simoneau has added more keyboards into the mix. I do believe I like that. Actually, I seemed to hear a lot more of Simoneau in general at this show than I have at previous shows. Either the sound system was showing mad love for him or he was making his mark, perhaps both. At any rate, the boys over on stage left have stepped up their already on point game.

I've mentioned in other posts about this mystical thing taking place over there on stage right in Westwood World. Not only has he unapologetically channeled his inner guitar god, he has now, it seems, completely embraced it. He's over there smiling and moving around in ways that previously weren't seen. All of this relaxing, channeling, embracing, smiling and moving has made me notice something. While his playing has always been solid, I've noticed over these last few shows, that it seems to be tighter, a bit more daring, dirtier and a little heavier. Whatever comfort zone he has fallen into translates well in his playing.

Meanwhile, over on stage left and back some, henceforth known as Toria Territory, there was an emergence. Birthday boy Toria broke out of his traditional quite guy in the background mold. We got ourselves a rather carefree bassist this show. Sure, he's still the unwavering and flawlessly consistent bottom line we all know and dig but, he too did a little more moving than I've previously seen. Perhaps this is a once a year event or maybe just the excitement of finally being of legal drinking age ... yeah, moving on. At any rate, I like this carefree thing he's doing.

Hear the drummer get wicked! Did I just quote Public Enemy? Wow, that's so unlike me. Anyway, it seemed like a good lead in to say I'm still feeling mad love for Hudgins' drumming. Yep, it's officially official; I'm just a Hudgins fan. The mad love doesn't seem to carry over to other drummers and it seems it's not just a phase. Speaking of said drummer, he was a lot less vocal this show.

Rock Star, or for this show, almost birthday boy; that would be Love in case you're wondering, was glowing. I can't really explain it. He just had this happy glow about him. Then again, perhaps he was feeling the excitement of being within hours of legal drinking age ... yeah, moving on, again. I digressed. Love is still letting his rock star wings flutter proudly. They grow a little bigger with each show. It won't be long before they're completely developed and he takes full flight. I can't wait to see him fly.

I have been pondering this since it happened. They did a song, "I'm Good, I'm Gone." It involves clapping together. Or, at least I think they were supposed to be clapping together. What I want to know is, how a group of men, who play so well together, manage to clap so brilliantly out of sync? Oh they started out together but somewhere along the line it all went awry. Let's for the heck of it say, they were only supposed to clap in sync at the beginning and at the end it was freestyle! Yeah, let's go with that. Judging by the smiles they themselves gave, they too may have been pondering The Great Clapping Incident of '09.

They really have found themselves. Of course, they weren't lost. They've just found what makes them shine best and have become more comfortable putting it on display. Hot Seconds have come into their own and with each show it gets better. I'm misting up with pride as only a sister can. Oh yeah ... I've adopted them whether they know it, like it or want it. They just may not wanna stop by for Thanksgiving, Christmas, Chanukah, Kwanza, Easter or any other holiday that involves me cooking ... pickin's are slim in these parts boys. But seriously, I am proud. I'm proud to witness a group of nice guys start to take flight and shine.

Set List
  • Can't Stop
  • Pieces Of You
  • We Met Before
  • Holy Moly
  • Clam Man
  • Push To Pound
  • Pink Caesar
  • Gone To Ground
  • I'm Good, I'm Gone
  • Went To India
  • When I Go
Be social ...
www.hotseconds.net
www.twitter.com/hotseconds
www.myspace.com/hotseconds
www.facebook.com/pages/Hot-Seconds/6225253266

Monday, June 15, 2009

Through My Eyes: Hot Seconds

I decided to do something a bit different for this post. For this outing, I’m going to give an overview, an essay of sorts on a band through my eyes. Yes, everything here is through my eyes; I know. Anyway, I decided to kick this little thing off with a band I’ve seen several times in recent months and whom I’ve listened to frequently since I came across their record. I don’t think I’ve watched a band with such curiosity since a then unknown band called The Black Crowes released their debut record, Shake Your Money Maker. At any rate, it seems fitting that I should write about Hot Seconds. They were the first CD I spoke about here when I started my blog and my first Q&A. Now, they’re taking on another first here in my little online world. This is what I see. This is my journey…


Through My Eyes: Hot Seconds

In July 2008, New York band Hot Seconds released their self-titled debut record. In the event you haven’t experienced it yet, Hot Seconds is ten songs of well crafted danceable indie rock with Brit-pop leanings. It’s fun, biting and mischief. It’s cocky, jeering and charming. And, at times it’s insecure and vulnerable. That’s a lot of adjectives for one record but, they all fit.

When I happened upon Hot Seconds, it was a month or so after its July release. I randomly sampled it starting with “Pieces of You” and was instantly taken. That was all it took to make me dive head first into the album and float along the deep end with this pristinely produced DIY effort washing over me. From that moment on, I decided they were a band I had to watch.

It wasn’t long after that, that Hot Seconds were scheduled to perform. Perfect I thought. This is my opportunity to see live what had become a regular part of my listening habits. I went to the show. As I was waiting for it to start, I stood there hoping that a good record wouldn’t be ruined for me by a bad live show. It’s always a huge disappointment when something you like on record stinks up the place live. Thankfully, I didn’t suffer any disappointment.

What I got that first show was a band that played their songs well. It’s always nice when a band doesn’t mangle its own songs. I stood at that first show trying to take in everything all at once, letting the overall performance be an experience. The band as a whole, were low key playing pretty much spot on. Front man, rhythm guitarist and lyricist, James Love was the more animated one mixing nice guy next door charm with a bit of bad boy cheekiness. The show cemented my earlier notion that they were a band to watch. That show seems so long ago but, it was less than a year ago.

Jump ahead a couple of months to the New Year, January 2009. Having had my appetite whetted, I was excited to see the band perform again. This show was a whole new level of Hot Seconds. It was as if the New Year had sparked something in them. They rolled out new songs one of which is the terrifically fun, dance yourself into a hot sweaty frenzy, “When I Go.”

This was the show that drummer Ian Hudgins drummed me into submission and made me re-think my neglect of drummers. The band was on fire and deliciously decadent. Prisoners were taken that night; they were taken for a roller coaster ride of unrepentant fun. This was a band that was tight and bordering on dangerous. They were, quiet simply, breathtaking.

A month later brought about the third Hot Seconds show I witnessed. Another new song was rolled out. This new dirty groove, “Pink Caesar,” has keyboardist and band video director, Marcel Simoneau strapping on a guitar and making a front line appearance. After mostly only seeing occasional bobs of his head from the positions I’d been standing in during shows, it was a bit odd for me seeing a full-bodied Simoneau up front doing his thing. I’ve since gotten used to seeing him with the guitar and the last couple of shows he has seemed more comfortable, more relaxed while playing.

It was a good show but something felt off. It seemed they had lost some of their energy. The fire they had displayed a month earlier seemed to have dimmed some. I have wondered if perhaps it was just me. Was the previous show still so fresh in my mind that this one couldn’t compete? Or perhaps, they just had an off night as everyone does at some point. If that is the case, I must say, their off night is better than many good nights by other bands.

After that show, there was a two month Hot Seconds drought. They came back in May with two shows. One I missed, one I witnessed. In their two month absence, it seems someone re-lit their fire. The two months, it seems, did them good. They came back refreshed and loose. They overall seemed to be a more relaxed group. Everyone smiled more.

Something happened over on stage right though. Guitarist and band producer, Eran Westwood, he of the quiet charm, somewhat broody stage persona and intense aura seemed more relaxed, contented, like grey clouds had lifted allowing the sun to shine down on that side of the stage. He was more animated. This was a whole new Westwood for me. This version appeared to be dipping his toe in the deity waters to see how it felt. Apparently, it felt good as it carried over to their next show where he outright and unapologetically channeled his inner guitar god and looked to be having a damn good time doing so.

Like Westwood, Love too seems more relaxed. Somewhere along the line, between that first show I experienced and one seven months later, Love has come into his own. While he never really seemed to lack confidence, he now seems to have found his comfort zone. It was at this show that I could see Love’s rock star wings start to flutter. If he were a rooster, I’d say the cock has found his strut. Just like the guitar god, the rock star carried over to their next show too. This version of Love took command of the stage, comfortable in his rock star skin and letting his wings flutter proudly.

Now some eight months after my first show, June rolled around and I took in another Hot Seconds show. There has been one thing that has remained unwavering and flawlessly consistent. That one thing, one person, is the quiet guy in the background, bassist Bob Toria. Toria seems to be a sort of rhythmic glue content in the background providing, along with Hudgins, a solid foundation for everything else to spring from.

Hot Seconds has jelled. This band has shown that even on an off night, they’re a more than capable band. I hope the stars align and light the way to great success for these guys. They have reached that place where they look and sound comfortable and fearless. They appear to be enjoying themselves as much, if not more, than when I first saw them.

The creative juices seem to be flowing strong for Hot Seconds. The new songs they’ve rolled out seem heavier, more rhythmic. My expectations are high for a new recorded effort. It has been interesting watching their journey from then to now. I am still married to the notion they are a band to watch. I look forward to more shows and seeing where the path they’re on leads.

L. R. Adams
June 2009
QuirkyNYChick.com


Be a social stalker ...
www.hotseconds.net
www.twitter.com/hotseconds
www.myspace.com/hotseconds
www.facebook.com/pages/Hot-Seconds/6225253266